Peter Rosegger

Life and work

Peter Rosegger grew up in a peasant society where hardly anyone could read and write. The fact that the forest farmer's boy, who enjoyed only a meagre school education, became one of the most famous and successful writers of his time has not only to do with his talent, but also with particularly fortunate circumstances.

[Translate to English:] Ein Junge sieht zur Büste Roseggers hoch und hält ein Stück Brot in der rechten Hand. Ein Kranz liegt am Fuß des Rosegger-Brunnens. [Translate to English:] Ein Junge sieht zur Büste Roseggers hoch und hält ein Stück Brot in der rechten Hand. Ein Kranz liegt am Fuß des Rosegger-Brunnens.

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Family

For Peter Rosegger's health and creativity, a peaceful and orderly domesticity was of enormous importance. He showed his greatest creative power in times of greatest happiness. In 1872 the poet married Anna Pichler, the daughter of a hat manufacturer in Graz. "Now came a very beautiful, happy time. I was completely healthy again. We led an ideal domestic life. [...] At that time I worked with pleasure and success. I wrote several works in one year, including "Die Schriften des Waldschulmeisters" (The Writings of the Forest Schoolmaster), which was to become one of his most famous works. In 1873 son Sepp was born, followed by daughter Anna in 1875. Shortly after their birth, Rosegger's wife died. Her death plunged the poet into deep despair. He was now a widower with two small children.

In 1879 Rosegger married the 19-year-old Anna Knaur, daughter of a Viennese builder friend. "Anna became my wife and so the circle of family has closed again, whose warmth and peace is the first need for my existence, as well as for my intellectual activity."
Rosegger saw his family life back on an orderly course, he could now concentrate on his writing career and did so successfully. In 1880 the second son Hans Ludwig was born, in 1893 Margarete was born and in 1890 the nestling Martha.

[Translate to English:] Gruppenbild mit dem 70jährigen Peter Rosegger, umgeben von Familienmitgliedern

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Preserved for posterity

As an apprentice tailor, he moved from farm to farm, and Jakob Eduard Schmölzer encouraged him to record especially songs that he heard. By writing down these songs, poems and stories, which had previously only been passed down orally, they were able to survive until today.

We owe Rosegger insights into the social and economic situation of the "Waldheimat". He recorded the customs and traditions as well as the superstitions of his closer and wider homeland. He also handed down the rural living culture in drawings.

[Translate to English:] Ecke mit Bauerntisch, Wiege und Kienspanhalter in der Großen Stube des Geburtshauses.

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City versus country

Rosegger spent the first two decades of his life in the countryside. At the age of 22, he moved to Graz and only visited his rural home during holidays. Later he regularly spent the summers in Krieglach, as he had a summer house built for himself in 1877, at that time still on the outskirts of the village. He spent the autumn and winter months in his city flat in Graz. 

"Every year, the good fortune gave me six months of earthly life in the city and six months of paradise in the countryside."

[Translate to English:] Gebäude vor der Oper, im Hintergrund der Schloßberg

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Waldheimat

Peter Rosegger was not only a poet and storyteller, we also have him to thank for insights into the social and economic situation of the "Waldheimat" - a region that would otherwise hardly have been explored. Rosegger first used this term in 1872 in the story "Die Staudenwinkelin. Erinnerungen aus der Waldheimat".

Five years later, the book "Waldheimat. Erinnerungen aus der Jugendzeit" was published five years later, the success of which played a major role in spreading this regional term in the German-speaking world. The term "Waldheimat", originally used exclusively in literary terms, was adopted as a regional designation in the maps during the poet's lifetime.

[Translate to English:] Der Kluppeneggerhof von Peter Rosegger gezeichnet

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Critical, committed and excellent

It is often unknown that Rosegger was also a critical and contentious journalist who devoted himself to current topics in his monthly magazine Heimgarten. In his texts he was critical of society and called for improvements, especially in social and educational matters, and he was involved in activities that today would be called "charity": he called for various fundraising activities and supported them not only with his name.

Under the influence of the members of the regulars' table at the "Krug zum grünen Kranze", consisting of famous personalities from the Graz art and cultural scene, the originally liberal-minded poet switched to the national camp. However, he did not allow himself to be taken in by political parties. His comments on political, social and religious issues brought him criticism time and again, but he was hardly influenced by it. He often took insults to his person with humour and also shared them with his readers in Heimgarten.

[Translate to English:] Cover des Buches "Weltgift" von Peter Rosegger

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Timetable