A new era – the Age of Dürer

Masterpieces of printed graphics c. 1500

09.06.-21.08.2011

Exhibition Information: +43-316/8017-9770
Press Information: +43/316/8017-9213 and -9211
presse@museum-joanneum.at

Images

Publication is permitted exclusively in the context of announcements and reviews related to the exhibition. Please avoid any cropping of the images. Thank you for crediting the photographs according to the enclosed indications.

The curators

f.l.t.r.: Helga Hensle-Wlasak and Karin Leitner-Ruhe Photo: UMJ / J. J. Kucek

Adam und Eva (Adam and Eve),

Albrecht Dürer, 1504 Signed and dated on the panel hanging on the branch: ALBERT9 DVRER NORICVS FACIEBAT AD [= Dürer’s monogram] 1504 (Albrecht Dürer from Nuremberg made it) Copperplate engraving, Provenance: legacy of Joseph Heintl, 1871 Photo: N. Lackner

Der Reiter oder Ritter, Tod und Teufel (The Rider or Knight, Death and the Devil),

Albrecht Dürer, 1513 Bottom left, on a panel: S•1513• and monogram AD Copperplate engraving, Provenance: legacy of Joseph Heintl, 1871; Sigmund Bermann, Vienna, 1833 (Lugt 235 and 236) Photo: N. Lackner

The Walk or The Lovers and Death (Der Spaziergang oder Das Liebespaar und der Tod),

Albrecht Dürer, c. 1496/97 Bottom centre: monogram AD Copperplate engraving Provenance: legacy of Joseph Heintl, 1871; Wilhelm August Ackermann (Lugt 791) Photo: N. Lackner

Lion Arms with Cock (Das Löwenwappen mit dem Hahn),

Albrecht Dürer, c. 1502/03 Below, beside the shield: monogram AD Copperplate engraving Provenance: Legacy of Joseph Heintl, 1871 Photo: N. Lackner

St. Jerome in His Study (Hieronymus im Gehäus),

Albrecht Dürer, 1514 Copperplate engraving Dating and monogram 1514 AD Provenance: legacy of Joseph Heintl, 1871 Photo: N. Lackner

Melancholy/Melencolia I (Die Melancholie/Melencolia I),

Albrecht Dürer, 1514 Bottom right on the step: 1514 and monogram AD Copperplate engraving, Provenance: legacy of Joseph Heintl, 1871 Photo: N. Lackner

St. Jerome in His Study (Der heilige Hieronymus in der Studierstube)

Albrecht Dürer, Sophronius Eusebius Hieronymus, Epistolae Title page woodcut, Incunabulum print on paper, by Nikolaus Kessler/Basel, 8th August 1492 Archives of Gurk Diocese in Klagenfurt, Episcopal Library Photo: Peter G. Tropper

Views of Slender Man 8 Heads High (Ansichten des schmalen Mannes von 8 Kopflängen)

Albrecht Dürer, Proportion Theory Woodcuts, Albrecht Dürer Print on paper, Nuremberg, Hieronymus Andreae for Agnes Dürer, 31st October 1528 UB Graz, Hollstein/Herberstein Library Photo: UB Graz

Views of Slender Man 8 Heads High (Ansichten des schmalen Mannes von 8 Kopflängen)

Albrecht Dürer, Proportion Theory Woodcuts, Albrecht Dürer Print on paper, Nuremberg, Hieronymus Andreae for Agnes Dürer, 31st October 1528 UB Graz, Hollstein/Herberstein Library Photo: UB Graz

Adam und Eva (Adam and Eve),

Hans Baldung Grien, 1519 Bottom right, on a panel: monogram HGB Bottom left: date 1519 Woodcut Provenance: purchased 1906; handwritten on the reverse: Giulio Bonasoni Photo: N. Lackner

Die Wetterbauern (Weather Peasants),

Hans Sebald Beham, 1542 A: monogram on the right edge: HsB Banderole (top): ES IST KALT WETER (It’s cold weather) Dated in the top corners: 15 – 42 Copperplate engraving, Provenance: legacy of Joseph Heintl, 1871; Franz Gawet, 1814 Photo: N. Lackner

Die Wetterbauern (Weather Peasants),

Hans Sebald Beham, 1542 B: monogram on left edge: HsB Banderole behind peasant: DAS SCHAD - ET NIT (no harm) Copperplate engraving, Provenance: legacy of Joseph Heintl, 1871; Franz Gawet, 1814 Photo: N. Lackner

Petrus und Paulus in einer Landschaft (Peter and Paul in a Landscape),

Lucas van Leyden, 1527 Bottom left on the stone: 1527, beside it the monogram L Copperplate engraving Provenance: legacy of Joseph Heintl, 1871 Photo: N. Lackner

Die Milchmagd mit den Kühen (The Milkmaid with the Cows),

Lucas van Leyden, 1510 Bottom centre, on a recumbent plate: 1510, monogram L Copperplate engraving Provenance: legacy of Joseph Heintl, 1871 Photo: N. Lackner

Unterrichtsstunde (Lesson),

Nicolaus Perottus, Rudimenta grammatices Title page woodcut, coloured Incunabulum print on paper, Venice, Christophorus de Pensis, de Mandello, 4th November 1495 Archives of Gurk Diocese in Klagenfurt, Episcopal Library Photo: Peter G. Tropper

Drei männliche Figuren in einem Raum (Three Male Figures in a Room)

Erhard Schön, From: Unnderweissung der Proportzion, Nuremberg 1538 Bottom left: monogram ES (S back to front) Woodcut; Provenance: acquired pre-1937 Photo: N. Lackner

Fünf Figuren in einem Gebäude (Five Figures in a Building)

Erhard Schön, From: Unnderweissung der Proportzion, Nuremberg 1538 Bottom left: monogram ES Woodcut; Provenance: acquired pre-1937 Photo: N. Lackner

Tanz der Skelette (Skeleton Dance)

Michael Wolgemut (?), Single page from the Nuremberg Chronicle Woodcut; the text on the back indicates that the page comes from the German edition of December 1493 Provenance: acquisition pre-1937 Photo: N. Lackner

exhibition view

Photo: J. J. Kucek

exhibition view 02

Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

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Photo: J. J. Kucek

exhibition view 11

Photo: J. J. Kucek

exhibition view 12

Photo: J. J. Kucek

exhibition view 13

Photo: J. J. Kucek

exhibition view 14

Photo: J. J. Kucek

exhibition view 15

Photo: J. J. Kucek

Press contact

Universalmuseum Joanneum
Marketing & Communications

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P: +43/316/8017-9211
F: +43/316/8017-9253
presse@museum-joanneum.at

Marketing & Communications

Downloads:

Downloads

Universalmuseum_Joanneum_Langtext_ENGL_2019.pdf (21 KB)
UMJ-Programme-2020-E.pdf (2,164 KB)