Sue Williams

1998
Neue Galerie, Graz
Galerie Jean Bernier, Athens

1997
Centre d´Art Contemporain, Geneva
Galleria Il Capricorno, Venice
Johnen & Schöttle, Cologne

1996
303 Gallery, New York
Galerie Ghislaine Hussenot, Paris
Galerie Jean Bernier, Athens
Regen Projects, Los Angeles
Modulo Gallery, Lisbon

1995
Jack Hanley Gallery, San Francisco
Galerie Metropol, Vienna

1994
303 Gallery, New York
Galleria Il Capricorno, Venice
Modulo Gallery, Lisbon
Galerie Walcheturm, Zürich
"In The Best of All Possible Worlds", project for Voltaire Issue Furor, Geneva

1993
Vera Vitagioia, Naples
San Francisco Art Institute, San Francisco
"They Eat Shit", artist´s book, San Francisco Art Institute

1992
303 Gallery, New York
Regen Projects, Los Angeles
Gallery 210, University of Missouri, St. Louis

1989
Loughelton Gallery, New York
Project for Bomb Magazine

1986
Performance: "Damaged Goods", The New Museum, New York

1997
Biennial Exhibition, Whitney Museum of American Art, New York
"Multiple Identity: Works from the Whitney Museum of American Art", Museu d´Art Contemporani, Barcelona
"Birth of the Cool", Deichtorhallen, Hamburg & Kunsthaus, Zürich

1996
"Ideal Standard Life", Spiral Wacoal Art Center, Tokyo
"Screen", Friedrich Petzel Gallery, New York (curated by J. Decter)

1995
Biennial Exhibition, Whitney Museum of American Art, New York
"Twenty-five Americans: Painting in the ´90s", Milwaukee Art Museum, Milwaukee, Wisconsin
"Imperfect", University of Massachusetts, Amherst
"femininmasculin: le sexe de l´art", Centre Georges Pompidou, Paris

1994 "Miriam Cahn, Marlene Dumas, Kiki Smith, Sue Williams", Centre d´Art Contemporain, Geneva (curated by Elizabeth Janus)
"Uncertain Identity", Galeria Analix, Geneva
"Cocido y Crudo", Museo Nacional Centro de Arte Reina Sofia, Madrid (curated by Dan Cameron)
"Sue Williams, Lorna Simpson, Tony Oursler, John Currin, Kathe Burkhart", Galleria Gabbiani, Genova
"Sue Williams/Wendy Jacobs", Galerie Walcheturm, Zürich

1993 Biennial Exhibition, Whitney Museum of American Art, New York
"Aperto" La Biennale di Venezia
"Bad Girls", Institute of Contemporary Art, London
"The Art of Language", Kunsthalle Vienna & Frankfurter Kunstverein
"The Subject of Rape", Whitney Museum of American Art, New York
"Playing House", Nathalie Karg Gallery, New York
"Die Arena Des Private", Kunstverein München, Munich
"Privacy", Documentario, Milan

1992
"Spielhölle", Akademie der Kunst und Wissenschaften, Frankfurt
"Fear of Painting", Arthur Roger Gallery, New York
"Darkness Visible", Drawing Center, New York

1991
"New Generations: New York", Carnegie Mellon Art Gallery, Pittsburgh
"The Abortion Project", Simon Watson Gallery, New York & Real Art Ways, Hartford, Connecticut

1990
"Karen Kilimnik, Gavin Brown, Sue Williams", 303 Gallery, New York
"Re-framing Cartoons", Loughelton Gallery, New York
"Brut 90", White Coumns, New York
"Racing Thoughts", Thomas Solomon´s Garage, Los Angeles

1989
"Hard Life", White Columns, New York

1987
"Lust", M-13 Gallery, New York
"The Double Bind", Loughelton Gallery, New York

1983
"Vincent Gallo, Sue Williams", Patrick Fox Gallery, New York (curated by Edit Deak)

1980
"Americans", Grand Palais, Paris
"Interiors", Barbara Gladstone, New York

1997
Camhi, Leslie, "Domestic Horrors", Parkett no. 50 (December)
Chauvy, Laurence, Journal de Genève (October)
Curiger, Bice, "Birth of the Cool", exh. cat. Deichtorhallen Hamburg & Kunsthaus Zürich
Dannatt, Adrian, "Sweet Williams", Parkett no. 50 (December)
Goodman, Jonathan, "Sue Williams at 303", Art in America (May)
Nesbit, Molly, "Touched", Parkett no. 50 (December)
Saltz, Jerry, Time Out New York (January)
Schjeldahl, Peter, "Shock of the Good", The Village Voice (January)
Schwendener, Martha, Flash Art (March-April)
Smith, Roberta, The New York Times (January)
Stevens, Marc, "The Ends of Art", New York Magazine (March)

1996
Cooper, Jacqueline, The New Art Examiner (May)
Gonzales-Day, Ken, Art Issues (May)
Hofleitner, Johanna, "Auf den Leib geschrieben (Written on the Body)", Flash Art (March-April)
McKenna, Kristine, "After Darkness, Sue Williams Discovers Softer Hues of Life", The Los Angeles Times, March 30

1995
Monika Faber & Brigitte Huck "Von der Geburt des Körpers aus dem Geist der Sprache", exh. cat. Auf den Leib geschrieben, Kunsthalle Vienna
Hapgood, Susan, Art in America (January)
Kertess, Klaus, "Postcards from Babel", exh. cat. Biennial, Whitney Museum of American Art, New York
Romano, Gianni, "Oltre la Normalità Concetrica", exh. cat. Commune di Padova, Italy
Schwabsky, Barry, Artforum (January)

1994
Bonami, Francesco, Flash Art (Summer), p.65
Cameron, Dan, "The Cooked and the Raw", exh. cat. Cocido y Crudo, Museo Nacional de Arte Reina Sofia
Janus, Elizabeth, ed. Voltaire Issue, Furor (Summer)
Levin, Kim "Choices", The Village Voice (Nov. 9-15)
Namuth, Hans, "Beyond Victimology", The New Yorker (November 14)
Rimanelli, David, "Beyond Victimology", The New Yorker (November 14)

1993
Baker, Kenneth, "Sue Williams In Your Face Art", The San Francisco Chronicle, (July 25), p. 45-46
Bonami, Francesco, "Spotlight", Flash Art no. 177 (Italian issue)
Bonetti, David, "Artists Find Fresh Ways of Looking at the Human Torso", San Francisco Examiner (July), p. E-11
Cottingham, Laura, "What´s So Bad About ´Em?", exh. cat. Bad Girls, Institute of Contemporary Art, London
Danto, Arthur, The Nation (April 19), pp. 533-536
Edelman, Robert G., Artpress (September), p. 87
Helfand, Glen, "Changing the Subject" SF Weekly
Hughes, Robert, "A Fiesta of Whining", Time, pp. 68-69
Larson, Kay, "What a Long, Strange Trip", New York Magazine, pp. 71-71
Lebovici, Elisabeth, "Le Whitney de New York à l´heure de Clinton", Libèration (Paris, April 24), p. 31
Madoff, Steven Henry, "Whitney Biennial: Apocalypse Now?" Artnews (April), p. 129
Moore, Catriona, "Cunts with Attitude: Acting Out in the Gallery", Art & Text (September), pp. 34-37
Phillips, Lisa "No Man´s Land: At the Threshold of a Millennium", exh. cat. Biennial, Whitney Museum of American Art (New York)
Smyth, Cherry: "Bad Girls", exh. cat. Bad Girls, Institute of Contemporary Art, London

1992
Barden, Lane, "Body Language", Artweek (January 7), p. 23
Cameron, Dan, "Reverse Backlash", Artforum (November), pp. 70-73
Cottingham, Laura, "Painted Bad", Frieze (June/July/August), pp. 32-36
Hess, Elizabeth, "Spiritual America", The Village Voice (May 19), p. 101
Kandel, Susan, "Hurtful Laughter", LA Times (November 12)
Mahoney, Robert, Arts Magazine (April), pp. 92-93
Rian, Jeff, "What´s All This Body Art?" Flash Art (January/February), p. 50
Rugoff, Ralph, "It´s a Bash", LA Weekly (December 4), p. 47
Smith, Roberta, The New York Times (May 15), p. C24
"An Angry Young Woman Draws a Bean on Men", The New York Times (May 24), p. 25

1991
Hess, Elizabeth, "Death to the Masters", The Village Voice (October 22)
Holst, Lise, Art in America (Summer)
Kimmelmann, Michael, The New York Times (November 1), p. C16

1990
Humphrey, David, "Hair Piece", Art Issue (February)
Saltz, Jerry, "Twisted Sister", Arts Magazine (May)

1989
Dechter, Joshua, Arts Magazine (October)
Levin, Kim, "Choices" The Village Voice (July 11)
Miller, John, "Sue Williams", Artforum (September)
Smith, Roberta, "Reviews", The New York Times (June 30)