Peter Friedl

12.03.-18.04.1999 10:00-18:00

Curated by: Peter Weibel

The sixties of this century radicalized the tendencies of conceptualization and immaterialization of the art object, which finally found completion with the dissolution of object status of the art work itself. For this process, Lucy R. Lippard found the term; dematerialization of the art object. The modern epoch came to an end with the dissolution of the art object; in the following decades the entire program of the modern era became subject to critique, revision, re-reading and new editions. As a result of conservative critique, art once again landed in the retrograde dreams of diverse neo-avant-gardes. As a result of progressive critique of modernerity, the modern object was replaced by instructions for use and communicative acts. Peter Friedl is one of the few Austrians who has a conceptual rigorousness and artistic ability to follow and drive forth this development within art at an elevated level of complexity at an international level. In particular, he comprehended the decisive shift of dematerialization from the level of form to that of content, i.e. from the macro-sphere of formalism (macro-aesthetics) to the micro-sphere of the social (micro-politics), and therefore transformed art’s game rules from pure aesthetic rules of object construction into the framework conditions of fields of social negotiation. By extending his artistic fields of activity to the point of emancipating unmarked territory and unchaining condensed linear sense-imposing chains of signs, he created open fields of action and signs, in which plural and multiple relations that produce sense can be created by the beholder himself. The precision with which Friedl thereby dupes all arrangements within the art industry, and beyond that, also unveils the illusionary consensus of all social contracts (from multiculturalism all the way to clothing arrangements), attests to his standing as an artist. The quality of his art does not express itself in obsolete formal aesthetic criterion, but rather in tracking down concealed ideology archives, hidden contradictions of the social systems and resultant political hypocrisy and lies. What he makes visible are invisible instances of censure, of; the self and likewise the other, the intimate sphere and likewise the public realm. That is why, particularly in Austria, his work meets with opposition and falls prey to the usual mechanisms of suspicion, repression, and expulsion.

The Neue Galerie Graz, the Neue Berliner Kunstverein, the FRAC Languedoc-Roussillon in Montpellier and the Palais des Beaux-Arts in Brussels are therefore especially interested in offering a forum for Peter Friedl’s artistic interventions within the social realm, which, from linguistic formulation to material staging, play out all registers of subtlety, subversion and irony. We thank the artist as well as the Oktagon press for the opportunity to make Peter Friedl’s position known and the chance to present it coherently. Our thanks also go especially to Roger M. Buergel who wrote all texts for the projects presented here.

Peter Weibel, Neue Galerie Graz
Alexander Tolnay, Neuer Berliner Kunstverein
Ami Barak, FRAC Languedoc-Roussillon, Montpellier

Piet Coessens/Marie-Thérèse Champesme
Palais des Beaux-Arts, Bruxelles

[Translate to English:] Einzelausstellungen und Projekte

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[Translate to English:] 1988
Galerie Bleich-Rossi, Graz (Kat.)
Galerie Bleich-Rossi, Graz
Christine König Galerie, Wien (Kat.)
Galerie Na bidylku, Brno
Galerie Pohlhammer, Steyr (Kat.)
Galleria Alberto Weber, Turin
Galerie Pohlhammer, Steyr
Galerie Theuretzbacher, Wien
Galerie Na bidylku, Brno
HINAUS MIT UNS, Turin, Venedig, Brno
MK Expositieruimte, Rotterdam
T.I.P., Galerie im Stifterhaus, Linz (Kat.)
Museum Moderner Kunst, Passau
Hotel Mama, Kunstraum Wien, Wien (CD)
Akademie der bildenden Künste, Prag (Kat.)
City Projects Prague, Prag (Kat.)
FRACK, W139, Amsterdam, Künstlerhaus Bethanien, Berlin (Kat.)
La Bohème, Kunstraum Mitte, Berlin
Peter Friedl, Palais des Beaux-Arts, Bruxelles
MK Expositieruimte, Rotterdam
Museum Industrielle Arbeitswelt, Steyr (Kat.)
Galerie Erna Hécey, Luxemburg
Gummi TV, Los Angeles Contemporary Exhibitions, Los Angeles (mit Olav Westphalen)
BOX, Galerie Pohlhammer, Steyr
Neuer Berliner Kunstverein, Berlin
Neue Galerie am Landesmuseum Joanneum, Graz
Galerie Arndt & Partner, Berlin
Frac Languedoc-Roussillon, Montpellier

[Translate to English:] Gruppenausstellungen

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[Translate to English:] 1986
Castello di Rivara, Rivara/Turin (Kat.)
Congress Centrum, Hamburg (Kat.)
Galerie Bleich-Rossi, Graz
The Last Rose of Summer, Galerie Wanda Reiff, Amsterdam
Wewerka Galerie, Berlin
Galerie Theuretzbacher, Wien
Einblick, OÖ. Landesgalerie, Linz
Rien à signaler, Galerie Analix, Genéve (Kat.)
Inventario 3, Galleria Loft, Valdagno
My Car Is Black, And Yours Is White, KIC, Brno (Kat.)
Positionen, Museum Industrielle Arbeitswelt, Steyr, Kunstforum Hallein (Kat.)
Ars Lux, Made in Bo, Bologna
Double Density, Galerie Pohlhammer, Steyr, Galleria Alberto Weber, Turin
Galleria Neon, Bologna
Na hrane, Galerie Vàclava Spàly, Prag
The Spring Project, Österreichische Galerie/Ambrosi Museum, Wien (Kat.)
Casa di Giorgione, Castelfranco Veneto
Das doppelte Kleid, Schloß Ottenstein (Kat.)
Natura Naturans, Museo Civico di Storia Naturale, Triest (Kat.)
Palazzo con Vista, Palazzo Frangipane, Tarcento
Mutoidi, Castelnuovo Maschio Angioino, Neapel
Nets, Galleria Lucio Amelio, Neapel
Zeitskulptur, OÖ Landesgalerie, Linz (Kat.)
Space Oddities, Canary Wharf, Londin
Contemporanea, Palazzo Pubblico, Siena
Documenta X, Kassel (Kat.)
Cittá aperta, Cittá Sant'Angelo
Gamblers, Palazzo Reale, Caserta
art club berlin, artforum, Berlin
look, Künstlerhaus Bethanien, Berlin
Galerie Anita Beckers, Darmstadt
Resolution, Galerie Arndt & Partner, Berlin
Do All Oceans Have Walls?, Bremen (Kat.)
Don't look now, Galerie Walcheturm, Zürich
Art club berlin, Pavello Mies van der Rohe, Barcelona
Cet été lá..., Centre Régional d'Art Contemporain, Séte APC Galerie, Salzburg (Kat.)
Transformation, Teatro Miela, Triest (Kat.)
15. Kasseler Dokumentarfilm- und Videofest, Filmladen Kassel, Kassel (Kat.)
1 + 3 = 4 x 1, Galerie für Zeitgenössische Kunst, Leipzig
La Maccina die Sogni, Belvedere di San Leucio, Caserta
Global Fun. Zwischen Kunst und Design von Mondrian, Gehry, Versace und Friends, Städtisches Museum Schloß Morsbroich, Leverkusen
Staatliche Kunstsammlungen, Dresden
Konstruktionszeichnungen, Kunst-Werke, Berlin
Galerie Voges + Deisen, Frankfurt am Main
1999, P.S.1, Contemporary Art Center, New York

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